White Corridor

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“Concentrate on the moth.”

The creature fluttered against the inside of the upended water glass as the women leaned in to watch. It was trying to reach the light from the amber street lamp that shone through the gap in the curtains. Each time its wings batted against its prison, the Shaded Broad-bar Scotopteryx chenopodiata shed more of the powder that kept it in flight, leaving arrow-imprints on the glass.

“Concentrate hard on the moth, Madeline.”

In the early evening drizzle, the Edwardian terraced house at 24 Cranmere Road was like a thousand others in the surrounding South London streets, its quiddity to be a part of the city’s chaotic whole. There were shiny grey slates, dead chimney pots and shabby bay windows. The rain sketched silver signatures across the rooftops, leaving inky pools on empty pavements. At this time of the year it was an indoor world.

Behind dense green curtains, five women sat in what had once been the front parlour, narrowing their thoughts in the overheated air. The house was owned by Kate Summerton, a prematurely grey housewife who had reached the age at which so many suburban women faded from the view of men. As if to aid this new invisibility, she tied back her hair and wore TV-screen glasses with catalogue slacks and a shapeless faun cardigan.

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