St. Petersburg Noir

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When you think of the most noir city in Russia, the name that springs to mind is St. Petersburg. This link between the place, its character, and the genre has become quite paradoxically the biggest challenge for the authors in this anthology, who must balance their work with the city’s rich noir tradition and at the same time transform daily criminal headlines into a literary experience.

Indeed, the tradition of noir writing in St. Petersburg features the greatest names of Russian literature. Most obviously, one thinks of the nineteenth century: Fyodor Dostoevsky (you can hardly find a more obvious noir spirit than in Crime and Punishment’s Kolomna settings, where Raskolnikov kills an old lady with an ax), Alexander Pushkin (my grandmother likes to recall how scared she was walking home in the city before World War II following the Mariinsky Theater’s opera performance of Pushkin’s “The Queen of Spades”; and “The Bronze Horseman”—a long poem about a disastrous flood—is one of the creepiest stories in Russian literature), and Petersburg Tales by Nikolai Gogol. More recently, the early twentieth century contributed to the city’s noir tradition with Andrey Bely’s novel Petersburg; followed later by the absurd, bleak writings of Daniil Kharms and Mikhail Zoshchenko.

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