Havana Noir

Начало книги

Many thanks on this project to Arturo Arango, Haydeé Arango, Tania Bruguera, Kalisha Buckhanon, Norberto Codina, Arnaldo Correa, David Driscoll, Esther Figueroa, Ambrosio Fornet, Gisela González López, Casey Ishitani, Elise Johnson, Caridad López del Pozo, Bayo Ojikutu, Oscar Luis Rodríguez Ramos, Patrick Reichard, Juan Manuel Salvat, Lawrence Schimel, and the inimitable Yoss.

I am especially grateful to Sarah Frank, whose assistance was invaluable throughout the project, and to Johnny Temple, for the opportunity and the faith.

To most outsiders, Havana is a tropical wreckage of sin, sex, and noise, a parallel world familiar but exotic — and embargoed enough to serve as a release valve for whatever pulse has been repressed or denied.

Long before the Cuban Revolution in 1959 and the United States’ economic blockade (in place since 1962), Havana was the destination of choice for foreigners who wanted to indulge in what was otherwise forbidden to them: mojitos and ménages, miscegenation and revolution. A photo taken in Havana has always authenticated its subject as a rebel and renegade.

Читать дальше →