The Emigrants

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At the end of September 1970, shortly before I took up my position in Norwich, I drove out to Hingham with Clara in search of somewhere to live. For some 25 kilometres the road runs amidst fields and hedgerows, beneath spreading oak trees, past a few scattered hamlets, till at length Hingham appears, its asymmetrical gables, church tower and treetops barely rising above the flatland. The market place, broad and lined with silent facades, was deserted, but still it did not take us long to find the house the agents had described. One of the largest in the village, it stood a short distance from the church with its grassy graveyard, Scots pines and yews, up a quiet side street. The house was hidden behind a two-metre wall and a thick shrubbery of hollies and Portuguese laurel. We walked down the gentle slope of the broad driveway and across the evenly gravelled forecourt. To the right, beyond the stables and outbuildings, a stand of beeches rose high into the clear autumn sky, its rookery deserted in the early afternoon, the nests dark patches in a canopy of foliage that was only occasionally disturbed. The front of the large, neoclassical house was overgrown with Virginia creeper. The door was painted black and on it was a brass knocker in the shape of a fish. We knocked several times, but there was no sign of life inside the house. We stepped back a little. The sash windows, each divided into twelve panes, glinted blindly, seeming to be made of dark mirror glass. The house gave the impression that no one lived there. And I recalled the chateau in the Charente that I had once visited from Angoulème.

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