St. Petersburg : A Cultural History

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On May 16, 1965, a string quartet of young musicians with their instruments in cases and their folding music stands boarded a cold and uninviting commuter train on the outskirts of Leningrad en route to the northern shore of the Gulf of Finland. It was a Sunday, and they were off to visit the poet Anna Akhmatova, who every spring spent her time in the dacha settlement of Komarovo, the former Kellomäki, some forty kilometers from Leningrad.

I was twenty-one and first violinist of the ensemble, made up of students from the Leningrad Conservatory. Since my youth, I had known by heart many of Akhmatova’s poems, for I considered her the greatest Russian poet alive, as did a multitude of other literature lovers, and I had long wanted to express my delight and deepest respect to her. Finally, I learned Akhmatova’s telephone number, called her, introduced myself, and offered to play whatever she liked. After some reflection, she named Shostakovich, a very fortunate choice for us, because just recently we had been the first ensemble in Leningrad to have learned his latest quartet, the Ninth, and performed it at the Shostakovich Festival in Leningrad with the composer present.

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