Dead Streets

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That night, working security at Sinsation, I learned something new. Just because you're dead doesn't mean you can't hurt.

I'm not talking physical pain. I hadn't experienced any of that since the day I died and was resurrected – through means I still don't quite understand – as a selfwilled zombie. And I'm not talking mental and emotional pain. My body may be dead, but my brain is still very much alive – or at least functional – so I still experience those kinds of pain on an all-too-frequent basis. I'm talking about an entirely different sort of pain, one that up to this point I hadn't given very much thought to: aesthetic pain.

I was making my way through the thrashing, gyrating crowd that choked Sinsation's dance floor, doing my best to shut out the noise blasting from the stage, but it was impossible. Kakophonie was simply too damned loud. The band's lead singer went by the sobriquet of Scream Queen, and considering that she was a banshee, the name fit. She looked like an emaciated human woman in her early twenties, with long, stringy black hair, a bone white complexion, eyes set in dark hollows, lips snail belly gray, and a stylish touch of grave mold at her temples and the nape of her neck. She wore a tattered white shroud made from sheer fabric that left little about her too-skinny body to the imagination. Her nails were black, overlong, and sharp, and I wondered if they were fashion statements or weapons. Both, I decided. In Nekropolis almost everything – and every one – is a weapon in one way or another.

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