Echopraxia

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A WHITE ROOM, innocent of shadow or topography. No angles: that’s crucial. No corners or intrusions of furniture, no directional lighting, no geometries of light and shadow whose intersection, from any viewpoint, might call forth the Sign of the Cross. The walls—wall, rather—was a single curved surface, softly bioluminescent, a spheroid enclosure flattened at the bottom in grudging deference to biped convention. It was a giant womb three meters across, right down to the whimpering thing curled up on the floor.

A womb, with all the blood on the outside.

Her name was Sachita Bhar and all that blood was in her head, too. By now they’d killed the cameras just like everything else but there was no way to take back the images from those first moments: the lounge, the Histo lab, even the broom closet for chrissakes, a grungy little cubby on the third floor where Gregor had hidden. Sachie hadn’t been watching when Gregor had been found. She’d been flipping through the channels, frantically scanning for life and finding only the dead, their insides all out now. By the time she’d cycled through to the closet feed the monsters had already been and gone.

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