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Karaoke Culture

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It needs to be said upfront: I’m not a karaoke fan. This essay was not only conceived, but also half-finished, when it occurred to me to go and catch a bit of real karaoke. They say Casablanca is the most popular karaoke bar in Amsterdam. My companion and I, both neophytes, arrived at eight on the dot, as if we were going to the theatre and not a bar. Casablanca was empty. We took a walk down Zeedijk, a narrow street packed with bars whose barmen look like they spend all day at the gym and all night in the bar. Muscles and baggy eyelids — that pretty well describes our barman at Casablanca, to which we soon returned. On a little stage, two tall, slender young women were squawking a Dutch pop song into a couple of upright microphones. A concert featuring Dutch pop stars played on the bar’s TV screens but was drowned out by the evening’s young karaoke stars. The girls sang with more heart than the guys, and for a second I thought there must be an invisible policeman standing over them. The whole thing was a deaf collective caterwaul: deaf insofar as nobody actually listened to anyone. Amsterdam is definitely not the place for a karaoke initiation. I’m not sure why I even thought of going to see karaoke in Amsterdam — maybe because of the paradox that sometimes turns out to be true, that worlds open up where we least expect.

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Жанр
Публицистика
Перевод
David Williams, Ellen Elias-Bursać, Celia Hawkesworth
Издание
Open Letter, 2011
Язык
en
Размер FB2
667,3 КБ
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