The Summer of Katya

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Every writer who has dealt with that last summer before the Great War has felt compelled to comment on the uncommon perfection of the weather: the endless days of ardent blue skies across which fair-weather clouds toiled lazily, the long lavender evenings freshened by soft breezes, the early mornings of birdsong and slanting yellow sunlight. From Italy to Scotland, from Berlin to the valleys of my native Basse Pyrйnйes, all of Europe shared an exceptional period of clear, delicious weather. It was the last thing they were to share for four terrible years—save for the mud and agony, hate and death of the war that marked the boundary between the nineteenth and twentieth centuries, between the Age of Grace and the Era of Efficiency.

Many who have described that summer claim to have sensed something ominous and terminal in the very excellence of the season, a last flaring up of the guttering candle, a Hellenistic burst of desperate exuberance before the death of a civilization, a final, almost hysterical, moment of laughter and joy for the young men who were to die in the trenches. I confess that my own memory of that last July, assisted to a modest degree by notes and sketches in my journal, carries no hint that I viewed the exquisite weather as an ironic jest of Fate. Perhaps I was insensitive to the omens, young as I was, filled with the juices of life, and poised eagerly on the threshold of my medical career.

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