Roadside Picnic

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Good science fiction is good fiction.

This assertion is one which must be made again, and over again, until the general reader and the “serious” critic cease to associate science fiction solely with girls in brass brassieres being rescued from the advances of bug-eyed monsters by zap-gun-toting heroes in space armor. There is as much of a spectrum of excellence in science fiction as there is in any other field. Mickey Spillane is not Dorothy Sayers or Ngaio Marsh. Hopalong Cassidy is not Shane or True Grit. And the best of science fiction is quite as good as the best of any literature.

It happens also to be the most explosively popular genre on the current scene. American and English science fiction is widely read in France, Italy, and Scandinavia, increasingly in Spain, Portugal, and Latin America, and is attaining new peaks in Germany and the Netherlands. New writers are appearing in Europe, especially in France and Italy, and the translations are beginning to flow the other way into the English-speaking world. And the rise in printed science fiction is reflected in the increasing number of cinema and television productions in the field.

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