Fall; or, Dodge in Hell
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Dodge became conscious. His phone was burbling on the bedside table. Without opening his eyes he found it with his hand, jerked it free of its charging cord, and drew it into bed with him. He tapped it once to invoke its snooze feature. It became silent. He rolled onto his side and slid the phone under his pillow so that, when the alarm resumed in nine minutes, he would be able to put it back into snooze mode with less trouble. It was a small miracle that his brain contained a sufficient 3-D model of his bed and its surroundings that he was able to do what he had just done without opening his eyes. But there was no reason to press his luck.
He felt no particular desire to go back to sleep, for he had been enduring a curiously boring dream whose central plot seemed to be the difficulty of finding coffee. In this dream, he was in the small town in Iowa where he had grown up. Its landscape and its cast of characters were commingled with places he had been and people he had encountered during the decades since he had left it in the rearview mirror of his pickup truck. But the grid street pattern of that town, covering just a few square blocks, and easily mastered by a boy on a bicycle, was, decades later, the spatial lattice on which virtually all of his dreams were constructed. It was the graph paper on which his mind seemed to need to plot things.