Murder Is Corny

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When the doorbell rang that Tuesday evening in September and I stepped to the hall for a look and through the one-way glass saw Inspector Cramer on the stoop, bearing a fair-sized carton, I proceeded to the door, intending to open it a couple of inches and say through the crack, “Deliveries in the rear.” He was uninvited and unexpected, we had no case and no client, and we owed him nothing, so why pretend he was welcome?

But by the time I had reached the door I had changed my mind. Not because of him. He looked perfectly normal — big and burly, round red face with bushy gray eyebrows, broad heavy shoulders straining the sleeve seams of his coat. It was the carton. It was a used one, the right size, the cord around it was the kind McLeod used, and the NERO WOLFE on it in blue crayon was McLeod’s style of printing. Having switched the stoop light on, I could observe those details as I approached, so I swung the door open and asked politely, “Where did you get the corn?”

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