Sex, Thugs and Rock & Roll

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It’s a strange time to be a writer of short mystery fiction. On the one hand, print magazine outlets have dwindled to the point where longtime stalwarts Ellery Queen and Alfred Hitchcock are still just about the only places to get paid a decent wage. On the other hand, thanks to Akashic’s “City Noir” series and upstart small presses like Busted Flush Press and Bleak House Books, the anthology market is so glutted that I pity anyone judging the short story category for the Edgar Awards.

But if you’re a writer and your voice and style doesn’t fit EQMM or AHMM’s guidelines, if you don’t have an in with specific editors or if you’re still not known enough to be picked up by one of the themed anthologies sponsored by the major crime writing associations, where do you go?

For the last few years, the answer is online.

It took a while for that answer to gain any sort of traction. Like any new medium, the Web was greeted within publishing circles and by would-be authors with skepticism and scorn, and often for good reason: poor presentation, questionable editing, and seeming instability. Many heralded early players like Blue Murder, HandHeldCrime, and Plots with Guns no longer exist; others have severely curtailed activity or dropped fiction altogether. For those that remain, creating their own distinct presence, adopting strict editorial guidelines and producing quality fiction, what still remains a sticking point is the lack of cash-the equivalent of a couple of high-priced beers if the writer’s lucky.

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