The Dead Man's Eyes

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On a crisp afternoon of high winds late in the summer of 2017 Frazier murdered his wife’s lover, a foolish deed that he immediately regretted. To murder anyone was stupid, when there were so many more effective alternatives available; but even so, if murder was what he had to do, why murder the lover? Two levels of guilt attached there: not only the taking of a life, but the taking of an irrelevant life. If you had to kill someone, he told himself immediately afterward, then you should have killed her. She was the one who had committed the crime against the marriage, after all. Poor Hurwitt had been only a means, a tool, virtually an innocent bystander. Yes, kill her, not him. Kill yourself, even. But Hurwitt was the one he had killed, a dumb thing to do and done in a dumb manner besides.

It had all happened very quickly, without premeditation. Frazier was attending a meeting of the Museum trustees, to discuss expanding the Hall of Mammals. There was a recess; and because the day was so cool, the air so crystalline and bracing, he stepped out on the balcony that connected the old building with the Pilgersen Extension for a quick breather. Then the sleek bronze door of the Pilgersen opened far down the way and a dark-haired man in a grubby blue-gray lab coat appeared. Frazier saw at once, by the rigid set of his high shoulders and the way his long hair fluttered in the wind, that it was Hurwitt.

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