Master of Life and Death

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The offices of the Bureau of Population Equalization, vulgarly known as Popeek, were located on the twentieth through twenty-ninth floors of the Cullen Building, a hundred-story monstrosity typical of twenty-second-century neo-Victorian at its overdecorated worst. Roy Walton, Popeek’s assistant administrator, had to apologize to himself each morning as he entered the hideous place.

Since taking the job, he had managed to redecorate his own office on the twenty-eighth floor, immediately below Director FitzMaugham’s—but that had created only one minor oasis in the esthetically repugnant building. It couldn’t be helped, though; Popeek was unpopular, though necessary; and like the public hangman of some centuries earlier, the Bureau did not rate attractive quarters.

So Walton had removed some of the iridescent chrome scalloping that trimmed the walls, replaced the sash windows with opaquers, and changed the massive ceiling fixture to more subtle electroluminescents. But the mark of the last century was stamped irrevocably on both building and office.

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