In Entropy’s Jaws

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Static crackles from the hazy golden cloud of airborne loudspeakers drifting just below the ceiling of the spaceliner cabin. A hiss: communications filters are opening. An impending announcement from the bridge, no doubt. Then the captain’s bland, mechanical voice: “We are approaching the Panama Canal. All passengers into their bottles until the all-clear after insertion. When we come out the far side, we’ll be travelling at eighty lights toward the Perseus relay booster. Thank you.” In John Skein’s cabin the warning globe begins to flash, dousing him with red, yellow, green light, going up and down the visible spectrum, giving him some infra– and ultra– too. Not everybody who books passage on this liner necessarily has human sensory equipment. The signal will not go out until Skein is safely in his bottle. Go on, it tells him. Get in. Get in. Panama Canal coming up.

Obediently he rises and moves across the narrow cabin toward the tapering dull-skinned steel container, two and a half meters high, that will protect him against the dimensional stresses of canal insertion. He is a tall, angular man with thin lips, a strong chin, glossy black hair that clings close to his high-vaulted skull. His skin is deeply tanned but his eyes are those of one who has been in winter for some time. This is the fiftieth year of his second go-round. He is travelling alone toward a world of the Abbondanza system, perhaps the last leg on a journey that has occupied him for several years.

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