Raw Material

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In the beginning was the word, and Adam was the Printer’s Devil.

As a boy I walked into the middle of Nottingham, passing St Barnabas’ Cathedral on my way down Derby Road. In a deep niche of its grey-black wall sat a man with no legs, selling matches. The niche had a heavy wooden door to it, and he could lock the place securely every night before going home.

At the time of packing up I saw him put the money into his pocket without counting it — as if he had already noted every penny that dropped there during his long day. Then he folded the mat and set it at the back of the niche with his stock of matches. After a look to see that everything was tidy he came on to the pavement and locked the door. He propelled himself down the road by his two hands, the trousers of his brown suit pinned under his trunk. He wore a collar and tie, which somehow saddened his look of respectability.

His brown eyes watched people walking by all day long, and his single great indisputable truth was that the rest of the world had legs. He was privileged in having such an enormous and satisfying fact all to himself, but what a price he had had to pay for it. His features were a prison wall that held in his thoughts and everything he suffered. He smiled, but never talked.

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