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All Days Are Night

Петер Штамм

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Half wake up then drift away, alternately surfacing and lapsing back into weightlessness. Gillian is lying in water with a blue luminescence. Within it her body looks yellowish, but wherever it breaks the surface, it disappears into darkness. The only light comes from the warm water lapping her belly and breasts. It feels oily, beading on her skin. She seems to be in an enclosed room, there’s no noise, but she still has a sense of not being alone. Love is somewhere, filling her.

Time skips ahead. When she hears a whooshing sound, she opens her eyes. Now she is all alone. On the wall are rows of points of light that weren’t there before. She closes her eyes; the whooshing sound fades and disappears entirely.

Later, a white-clad figure is moving by her side, hands soothingly extended, and disappears. Gillian feels a faint nausea that is almost pleasant, a wooziness tugging her down, back into sleep. Then it’s light, everything is dazzlingly white. On the bedside table is a tray with breakfast. A smell of coffee, also of flowers. Very slowly her body awakens, she can feel her legs and her arm, pushing away the covers, the cool air on her bare skin. She feels little pain, only a sense of collecting herself and dissolving again, a slow pulsing. Next to her is a hand. It presses a button, it is her hand. Something lifts her up, she can hear a quiet humming. Breathing feels unusually easy, as though the air streamed into her body and left it again perfectly unhindered. A finger presses a green button, which has a little icon of a bell on it. Time passes.

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Жанр
Современная русская и зарубежная проза
Перевод
Michael Hofmann
Оригинальное название
Nacht ist der Tag
Издание
Other Press, 2014
Язык
en
Размер FB2
825,9 КБ
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