Eugene Onegin

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Alexander Pushkin (1799-1837) is the poet and writer whom Russians regard as both the source and the summit of their literature. Not only is he revered, like Shakespeare in the English tradition or Goethe in the German, as the supreme national poet, but he has become a kind of cultural myth, an iconic figure around whom a veritable cult of idolatry has been fashioned. This exalted status that Pushkin has been accorded in his own land has been something of a disservice to the living reality of his works, and it contrasts oddly with the more modest reputation that Pushkin has secured abroad. To many non-native readers of Russian literature the panegyrics of his compatriots seem excessive, and indeed, in their eyes, Pushkin has been somewhat overshadowed by the great Russian writers who came after him. They do not comprehend why these writers themselves generally grant him the first and highest place in their pantheon of artistic geniuses. For those who do not read Pushkin in his own language, the situation remains perplexing and the questions persist: just who is he and why, almost without exception, do the most perceptive of his compatriots regard him as one of the world's greatest artists?

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