Fiddlehead

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So here goes Fiddlehead, which is not exactly the end of the series—but it brings us to the end of the war, at least, and perhaps it may be the last full-length project in the Clockwork Century. For a while.

I am both a little sad and a little relieved at the prospect, really; I love this series from the bottom of my heart, and I have been terribly flattered, honored, and delighted by the response it has garnered from the genre community. But at the same time, twenty years of civil conflict is a very long time, even in a fictional universe. I have always said, from the very beginning, that this series should be the story of two nations on the cusp of what they could withstand. This was always meant to be the story of how the fictionalized war ends, and why.

And now … here it is.

But first and foremost, I must detail my undying thanks to everyone at Tor—in particular my editor, Liz Gorinsky, who first talked me into taking a chance on Boneshaker … and then threw herself behind it with everything she had. None of this would have happened without her. She believed in these books when I believed they were maybe a little too wacky, a little too unconventional; she encouraged and guided me through neuroses, crises of faith, and other assorted potholes in the process, and I cannot say enough to commend the persistence of her awesomeness.

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