The Kindly Ones

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ALBERT, FLESHY, SALLOW, BLUE CHINNED, breathing hard, sweating a little, fitted an iron bar into sockets on either side of the wooden shutters he had just closed across the final window of the stable-block. Rolled shirt-sleeves, green baize apron, conferred a misleadingly businesslike appearance, instantly dispelled by carpet-slippers of untold shabbiness which encased his large, chronically tender feet. All work except cooking abhorrent to him, he went through the required movements with an air of weariness, almost of despair. In those days he must have been in his middle to late thirties. We were on good terms, although he possessed no special liking for children. Indeed, I was supposedly helping him lock up these outbuildings for the night, a task in principle all but completely accomplished, for some unknown reason, in late afternoon. Up to that moment, it is true, I had done no more than examine a coloured picture, fastened to the wall by four rusting drawing-pins, of Mr Lloyd George, fancifully conceived as extending from his mouth an enormous scarlet tongue, on the liquescent surface of which a female domestic servant in cap and apron, laughing heartily as if she much enjoyed the contact, was portrayed vigorously moistening the gum of a Health Insurance stamp. I was still contemplating this lively image of state-aided social service — which appeared in some manner to hint at behaviour unseemly, even downright improper — when night, as if arbitrarily induced at that too early hour by Albert’s lethargic exertions, fell abruptly in the shuttered room, blurring all at once the outlines of the anonymous artist’s political allegory. Albert withdrew ponderously from the dusk now surrounding us.

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