The City's son

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I’m hunting. The sun sits low over Battersea, its rays streaking the brickwork like warpaint as I pad through the railway tunnels. My prey can’t be far ahead now: there’s a bitter, burnt stench in the air, and every few yards I find another charred bundle that used to be a rat.

I pick up the pace, racing eagerly over the tracks with my bare feet. Sweeping my spear in a low arc, I feel for the electricity in her trail — divining for the monster.

Around me, the city is oblivious. Under the brick arches, people are walking in and out of the newsagent’s and the off-licence; a couple of schoolkids are chatting, swapping tall stories about some girl they fancy. And then, over their laughter, the moan of evening traffic, the bass from distant music and all the other sounds of the city, I hear her wild, shrieking brake cry.

My heart clenches. They have no idea of the danger they’re in, none of them, not now she’s loose — now she’s awake.

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