Buddha's Little Finger

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For numerous reasons the name of the true author of this manuscript, written during the early 1920s in one of the monasteries of Inner Mongolia, cannot be mentioned, and it is published here under the name of the editor who prepared it for publication. This version does not include the descriptions of a number of magical procedures which figured in the original, nor does it retain the narrator’s rather lengthy reminiscences of his life in pre-revolutionary St Petersburg (the so-called Petersburg Period). The author’s definition of the genre of the work as ‘a peculiar flight of free thought’ has also been omitted: it would seem quite clear that it can only be regarded as a joke.

The story narrated by the author is of interest as a psychological journal which, while it undoubtedly possesses a number of artistic virtues, makes absolutely no claim to anything beyond that, although at times the author does undertake to discuss topics which, in our view, are in no need of discussion. The somewhat spasmodic nature of the narrative reflects the fact that the intention underlying the writing of this text was not to create a ‘work of literature’, but to record the mechanical cycles of consciousness in such a way as to achieve a complete and final cure for what is known as ‘the inner life’. Furthermore, in two or three places, the author actually attempts to point directly to the mind of the reader, rather than force him to view yet another phantom constructed out of words; unfortunately this is far too simple a task for his attempts to prove successful.

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