The Death of Hitler: The Final Word

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Lana is perplexed.

Her contacts within the senior Russian administration have made no bones about how hard it is going to be for us to achieve our objective. Our meeting for 11:00 has been confirmed, but in Russia that doesn’t necessarily mean anything. Our faces are stung by frost as we approach the area around the “State Archives of the Russian Federation.” In Russia they’re called GARF (Gosudartstennyy Arkhiv Rossyskov Federatsii). A national institution right in the heart of Moscow. It is based around one of the biggest archive collections in the country, with almost 7 million documents from the nineteenth century to the present day. Chiefly paper documents, but also some photographs and secret files. And it’s for one of those secret files that we are braving the harsh Muscovite climate as well as the no less rough Russian bureaucracy. Lana Parshina isn’t entirely unknown in Russia. A journalist and documentary maker, this young Russian-American woman is regularly invited onto television platforms to talk about what remains her major achievement: the last interview with Lana Peters. Lana Peters was a penniless old woman, forgotten by everyone in a hospice for the poor in the depths of the United States. She hid herself away and refused to talk to journalists. Let alone discuss the memory of her father, one Josef Vissarionovich Djugashvili, otherwise known as Stalin. Lana Peters’ name was in fact Svetlana Stalin, and she was the dictator’s favourite daughter. At the height of the Cold War in the 1960s, she had fled the country and applied to the US for political asylum. From that moment she became the symbol of those Soviets who were prepared to do anything to escape a tyrannical regime.

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