The Petrovitch Trilogy

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Petrovitch woke up. The room was in the filtered yellow half-light of rain-washed window and thin curtain. He lay perfectly still, listening to the sounds of the city.

For a moment, all he could hear was the all-pervading hum of machines: those that made power, those that used it, pushing, pulling, winding, spinning, sucking, blowing, filtering, pumping, heating and cooling.

In the next moment, he did the city-dweller’s trick of blanking that whole frequency out. In the gap it left, he could discern individual sources of noise: traffic on the street fluxing in phase with the cycle of red-amber-green, the rhythmic metallic grinding of a worn windmill bearing on the roof, helicopter blades cutting the gray dawn air. A door slamming, voices rising—a man’s low bellow and a woman’s shriek, going at it hard. Leaking in through the steel walls, the babel chatter of a hundred different channels all turned up too high.

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