Noonday and Night

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The invitation to dinner was accompanied by two slightly unusual requests. One was that Dame Beatrice would bring another woman with her, preferably one who was interested in ceramics; the other was that she would also bring her two blue-dash English delftware dishes, chargers which had been made round about AD 1640, although whether in London or Bristol was uncertain.

One sentence in Basil Honfleur’s letter appeared to explain this otherwise curious request. ‘I’ve recently become possessed of a particularly fine early nineteenth century Welsh dresser, and I would love to see how your two pieces look on it compared with some which my crockery scout Vittorio has managed to pick up for me.’

This, Dame Beatrice thought, was an elliptical way of indicating that, if her pieces looked well on his shelves, there would be an offer to purchase them. After the dinner, she supposed, the company would adjourn to the kitchen and the dishes would be put on display. Then would follow a bargaining battle between the knowledgeable woman Dame Beatrice would have brought with her if she could think of anybody suitable, and Vittorio (whoever he was), to fix upon the price to be offered.

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