The Killing Room

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The rain, like tears, streaks his view of the world from the back seat of his limousine. A blue-grey view smudged by this chilly sub-tropical November deluge. The American has come to celebrate a union spanning continents, a powerful conjoining of East and West. But all the money in the world cannot protect him from the horrors that are only minutes away.

Towers of steel and glass rise into the mist around him, insubstantial and wraith-like. They remind him of something strangely incongruous. A remote and rugged coastline on the north-west extremes of Europe. A trip made in search of his roots to a distant Scottish island, where fingers of stone reach for the sky in strange circular arrangements. Standing stones raised in worship to who knows what God.

Beyond the colossal pagoda-like Jin Mao Tower, its peak lost in cloud, more towers loom out of the misted distance, rising from the ashes of Mao’s dream of a communist utopia. The once desolate marshlands of Pudong, fed by their privileged status of ‘special economic zone’, now sprout tower blocks like weeds, watched in wonder by the Shanghainese across the river, a whole generation thinking, what next? The American looks up at these twenty-first century standing stones, and knows that the only God worshipped by those who raised them is Money. And he smiles. A sense of satisfaction in this. For he worships at the same altar.

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