A Memory Called Empire

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This book is dedicated to anyone who has ever fallen in love with a culture that was devouring their own.

(And for Grigor Pahlavuni and Petros Getadarj, across the centuries.)

IN Teixcalaan, these things are ceaseless: star-charts and disembarkments.

Here is all of Teixcalaanli space spread out in holograph above the strategy table on the warship Ascension’s Red Harvest, five jumpgates and two weeks’ sublight travel away from Teixcalaan’s city-planet capital, about to turn around and come home. The holograph is a cartographer’s version of serenity: all these glitter-pricked lights are planetary systems, and all of them are ours. This scene—some captain staring out at the holograph re-creation of empire, past the demarcated edge of the world—pick a border, pick a spoke of that great wheel that is Teixcalaan’s vision of itself, and find it repeated: a hundred such captains, a hundred such holographs. And each and every one of those captains has led troops down into a new system, carrying all the poison gifts she can muster: trade agreements and poetry, taxes and the promise of protection, black-muzzled energy weapons and the sweeping architecture of a new governor’s palace built around the open many-rayed heart of a sun temple. Each and every one of those captains will do it again, render one more system into a brilliantine dot on a star-chart holograph.

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