Обложка книги «Northanger Abbey»

Northanger Abbey

Вэл Макдермид

Серия: The Austen Project, книга 2

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I’d first like to thank Jane Austen, without whom this book could never have come into existence. She’s given me countless hours of pleasure, and I’d like to think there’s a quantum universe somewhere where she is getting her own back reimagining Tony Hill and Carol Jordan.

My eternal gratitude goes to Julia Wisdom, who had the chutzpah to offer this irresistible assignment to me and who has always believed in my ability to achieve the unlikely.

As usual, I tip my hat to the queen of copy editors, Anne O’Brien, to my agent Jane Gregory and to Kiri Gillespie, who never complains. Thanks also to the team at HarperCollins who have supported the Austen Project with such quiet efficiency.

And thanks finally to my family and friends who never let me down in spite of extreme provocation.

It was a source of constant disappointment to Catherine Morland that her life did not more closely resemble her books. Or rather, that the books in which she found its likeness were so unexciting. Plenty of novels were set in small country villages and towns like the Dorset hamlet where she lived. Admittedly, they didn’t all have such ridiculous names as the ones in the Piddle Valley where her father’s group of parishes was centred. It would have been hard to make credible a romantic fiction set in Farleigh Piddle, Middle Piddle, Nether Piddle and Piddle Dummer. But in every other respect, books about country life were just like home, only duller, if that were possible. The books that made her heart beat faster were never set anywhere she had ever been.

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