Обложка книги «Let The Right One In aka Let Me In»

Let The Right One In aka Let Me In

Йон Айвиде Линдквист

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Blackeberg.

It makes you think of coconut-frosted cookies, maybe drugs. "A respectable life." You think subway station, suburb. Probably nothing else comes to mind. People must live there, just like they do in other places. That was why it was built, after all, so that people would have a place to live.

It was not a place that developed organically, of course. Here everything was carefully planned from the outset. And people moved into what had been built for them. Earth-colored concrete buildings scattered about in the green fields.

When this story begins, Blackeberg the suburb had been in existence for thirty years. One could imagine that it had fostered a pioneer spirit. The Mayflower; an unknown land. Yes. One can imagine all those empty buildings waiting for their occupants.

And here they come!

Marching over the Traneberg Bridge with sunshine and the future in their eyes. The year is 1952. Mothers are carrying their little ones in their arms or pushing them in baby carriages, holding them by the hand. Fathers are not carrying picks and shovels but kitchen appliances and functional furniture. They are probably singing something. "The Internationale," perhaps. Or "We Come Unto Jerusalem," depending on their predilection.

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