Barabbas

Пер Лагерквист

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In a body of literature which has been for the most part preoccupied with national background, with painting the manners of Stockholm and of the Swedish countryside, and-apart from its exploitation of a rich lyric strain-with folklore and epic fantasy, Par Lagerkvist, since his early "Expressionist" days, has stood as representative of an intellectualism which, like himself, has remained somewhat remote and dignified, somewhat unresponsive to the noisy methods of modern publicity.

In the world of Swedish and Scandinavian letters, Lagerkvist occupies, as poet and thinker, a position of eminence which has long been recognized by his compatriots and by the educated public in the countries which adjoin his own. To paint the portrait of this remarkable man, whose work takes rank with the most significant productions of contemporary Scandinavia, is as tempting as it would be difficult.

Except for a few short stories, and one piece of dramatic narrative, The Dwarf, which was highly praised by our literary critics, the French public knows next to nothing of his writings.

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