Beauty is a Wound

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ONE AFTERNOON ON a weekend in March, Dewi Ayu rose from her grave after being dead for twenty-one years. A shepherd boy, awakened from his nap under a frangipani tree, peed in his shorts and screamed, and his four sheep ran off haphazardly in between stones and wooden grave markers as if a tiger had been thrown into their midst. It all started with a noise coming from an old gravesite with an unmarked tombstone covered in knee-high grass, but everybody knew it was Dewi Ayu’s grave. She had passed away at fifty-two, rose again after being dead for twenty-one years, and from that point forward nobody knew exactly how to calculate her age.

People from the surrounding neighborhood came to the grave when the shepherd boy told them what was happening. Rolling up the edges of their sarongs, carrying children, clutching broomsticks, or stained with mud from the fields, they gathered behind cherry shrubs and jatropha trees and in the nearby banana orchards. No one dared approach, they just listened to the uproar coming from that old grave as if they were gathered around the medicine peddler who hawked his goods at the market every Monday morning. The crowd wholly enjoyed the unnerving spectacle, not caring that such a horror would have terrified them had they been all alone. They were even expecting some kind of miracle and not just a noisy old tomb, because the woman inside that plot of earth had been a prostitute for the Japanese during the war and the kyai always said that people tainted with sin were sure to be punished in the grave. The sound must have been coming from the whip of a tormenting angel, but they grew bored, hoping for some other small marvel.

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