No Mark upon Her

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The art of sculling is like any other art. It is perfected only with constant practice so that each movement is graceful and is done correctly without thinking about it.

—George Pocock

Notes on the Sculling Stroke as Performed by Professional Scullers on the Thames River, England

A glance at the sky made her swear aloud. It was later than she’d thought, darker than she’d realized. Since the clocks had moved back, night seemed to fall like a bludgeon, and there was a heavy wall of cloud moving in from the west, presaging a storm.

Heart thumping, she moved across the cottage’s shadowy garden and through the gate that led out onto the Thames Path. Tendrils of mist were beginning to rise from the water. The river had a particular smell in the evenings, damp and alive and somehow primeval. The gunmetal surface of the water looked placid as a pond, but she knew that for an illusion. The current, swift here as the river made its way towards the roar of the weir below Hambleden Mill, was a treacherous trap for the unwary or the overconfident.

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