Drive

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Acceleration throws Solomon back into the captain’s chair, then presses his chest like a weight. His right hand lands on his belly, his left falls onto the upholstery beside his ear. His ankles press back against the leg rests. The shock is a blow, an assault. His brain is the product of millions of years of primate evolution, and it isn’t prepared for this. It decides that he’s being attacked, and then that he’s falling, and then that he’s had some kind of terrible dream. The yacht isn’t the product of evolution. Its alarms trigger in a strictly informational way. By the way, we’re accelerating at four gravities. Five. Six. Seven. More than seven. In the exterior camera feed, Phobos darts past, and then there is only the star field, as seemingly unchanging as a still image.

It takes almost a full minute to understand what’s happened, then he tries to grin. His laboring heart labors a little harder with elation. The interior of the yacht is cream and orange. The control panel is a simple touchscreen model, old enough that the surface has started going grey at the corners. It’s not pretty, but it is functional. Solid. An alert pops up that the water recycler has gone off-line. Solomon’s not surprised—he’s outside the design specs—and he starts guessing where exactly the system failed. His guess, given that all the thrust is along the primary axis of the ship, is the reservoir back-flow valve, but he’s looking forward to checking it when the run is finished. He tries to move his hand, but the weight of it astounds him. A human hand weighs something like three hundred grams. At seven g, that’s still only a little over two thousand. He should still be able to move it. He pushes his arm toward the control panel, muscles trembling. He wonders how much above seven he’s going.

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