Night Work

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THE IMAGE ON THE wall was enough to give a man nightmares. It showed a woman of sorts, but a woman who would have made a playboy shrivel, given pause to the most ardent feminist, and had Freud scrambling to retract his plaintive query concerning what women wanted.

What this lady wanted was blood.

Her skin was dark, so deep a blue it seemed black against the crisp, bright, bloodred waves that splashed against her muscular calves. Around her hips she wore a belt strung with human hands that had been hacked off at the wrist; her neck was looped with a necklace of skulls. Her wild black hair made a matted tangle from which serpents peeped, and from her right ear hung a cluster of dry bones. Four arms emerged from her strong shoulders, in the manner of Hindu deities and the half-joking fantasy of busy mothers the world around, and all twenty of her dagger-long fingernails were red, the same bloodred as the sea around her. In her lower right hand she held a cast-iron skillet, wielding it like a weapon; her upper left grasped the freshly severed head of a man.

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