Counternarratives

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The canoe scudded to a stop at the steep, rocky shore. There was no slip, so he tossed the rope, which he had knotted to a crossbar and weighted with a pierced plumb square just larger than his fist, forward into the foliage. Carefully he clambered toward the spray of greenery, the fingers of the thicket and its underbrush clasping the soles of his boots, his stockinged calves, his ample linen breeches. A thousand birds proclaimed his ascent up the incline; the bushes shuddered with the alarm of creatures stirred from their lees; insects rose in a screen before his eyes, vanishing. When he had secured the boat and settled onto a sloping meadow, he sat, to wet his throat with water from his winesack, and orient himself, and rest. Only then did he look back.

The ship, the Jonge Tobias, which had borne him and the others across more nautical miles than he had thought to tally, was no longer visible, its brown hulk hidden by the river’s curve and the outcropping topped by fortresses of trees. The water, fluttering like a silk shroud, now white, now silver, now azure, ferried his eyes all the way over itself east — he knew from the captain’s compass and his own canny sense of space, innate since he could first recall — to the banks of a vaster, still not fully charted island, its outlines an ocher shimmer in the morning light, etching themselves on his memory like auguries. Closer, at the base of the hill, fish and eels drew quick seams along the river’s nervous surface. From hideouts in the rushes frogs serenaded.

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