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The Dead Student

Джон Катценбах

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This is what Moth came to understand:

Addiction and murder have things in common.

In each, someone will want you to confess:

I’m a killer.

Or:

I’m an addict.

In each, at some point you’re supposed to give in to a higher power:

For your typical murderer, it’s the law. Cops, judges, maybe a prison cell. For run- of-the-mill addicts, it’s God or Jesus or Buddha or just about anything conceivably stronger than the drugs or the drink. But just give in to it. It’s the only way out. Assuming you want out.

He never thought either confession or concession was part of his emotional makeup. He did know that addiction was. He was unsure about killing, but he was determined that before too long he would find out.

Timothy Warner found his uncle’s body because he woke up that morning with an intense and frighteningly familiar craving, an emptiness within that buzzed deeply and repeatedly like a loud off-key chord on an electric guitar. At first he hoped that it was left over from a dream of happily knocking back shots of iced vodka with impunity. But then he reminded himself that this was his ninety-ninth day without a drink, and he realized that if he wanted to see the hundredth he would have to work hard to get through the day sober. So as soon as his feet hit the cold floor by his bed, before he glanced out the window to check the weather, or stretched his arms above his head to try to force some life into tired muscles, he reached for his iPhone and tapped the application that kept a running count of his sobriety. Yesterday’s ninety-eight clicked to ninety-nine.

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