The Blood Artists

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Everything that begins, begins with blood.

We were at work in a B1 blood laboratory on the third floor of the seventh building of the Centers for Disease Control and Prevention, a network of industrial-looking brick-and-mortar structures located just outside the city limits of Atlanta, Georgia. We were both junior virologists on staff at the CDC, myself and Peter Maryk, and both thirty-one years of age. This was the final week of December 2010.

Peter worked across the lab table from me, standing over a whir-ring centrifuge, spinning down blood serum. His hair was pearl-white and had been since college, and he kept it short and straight, his angular face and slate gray eyes set in a mask of severity. He switched off the centrifuge and like a roulette wheel it slowed, ticking to a stop, silence returning to the lab. He crooked his head at a tinny scratching behind him.

“Thirty-seven’s going down,” he said.

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