The Dead Detective

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The mirrored ball rotating above the stage sent small patches of light spiraling about the room, and together with the grinding beat of the music it seemed to accent the faint film of sweat that covered the dancer’s body. She was a beautiful woman, young and lithe and erotically proportioned, and she was dressed in the skimpiest of thongs with a bikini top so small it failed to cover the aureoles of her breasts. Yet none of that staged eroticism found its way to her dancing, and the perspiration on her body came from the heat of the stage lights rather than any degree of exertion.

Darlene Beckett studied the woman and tried to think of a single word that would describe her performance. Somnambulistic was the only one that came to mind, and she wished she could go up on the stage and push the woman aside; show her how to arouse the men who sat staring up at her; show her how to use her body, how to put that little pout in her lips, how to make her eyes call out with an open invitation, how to use all of it until she had them slipping their hands under the table and reaching for themselves.

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