Variable Star

Начало книги

In Robert A. Heinlein’s Stranger in a Strange Land there is a story about a Martian artist so focused on his work that he fails to notice his own death, and completes the piece anyway. To Martians, who don’t go anywhere when they die but simply become Old Ones, the burning question was: should this work be judged by the standards used for art by the living, or for art by the dead?

A similar situation occurs here for one of the first times on this planet. This book is a posthumous collaboration, begun when one of its collaborators was seven, and completed when the other was seventeen-years-dead. Spider Robinson discusses this at length in his Afterword, but a brief explanation at the start may help readers to better appreciate what they’re reading, and to decide by what standards they should evaluate it.

After the passing of Robert Heinlein’s widow, Virginia, in 2003, his archivist/biographer discovered a detailed outline and notes for a novel the Grand Master had plotted in 1955, but had never gotten around to writing, tentatively titled The Stars Are a Clock. Heinlein’s estate executor and literary agent decided the book deserved to be written and read, and agreed that Spider Robinson was the only logical choice to complete it.

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