An Evil Eye

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The yali is made of wood silvered by the sun, dry as tinder.

As evening falls, the timbers begin to cool. Beams settle; boards contract. Cracks ease around the window frames, whose latticed glass flames orange with the setting sun.

The pasha’s two-oared caique skims like a cormorant up the Bosphorus toward it, away from Istanbul.

He leans into the cushions, his back to the setting sun, and lets his mind rove idly across the water, over the surface of his ambitions and his desires.

He checks himself. He is not a superstitious man, but praise and pride attract the evil eye; certain thoughts are better left unframed.

Almost guiltily, he turns his head. The yali stands so beautifully at the water’s edge, looking out across the Bosphorus to the hills of Asia beyond. The evening meal has been taken, and he imagines the murmur of voices as his household prepares for sleep. He can almost hear the yali settling, its old bones composing themselves for the night, wooden joints creaking and crackling in the dusk.

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