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The Tenth Man

Грэм Грин

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In 1948 when I was working on The Third Man I seem to have completely forgotten a story called The Tenth Man which was ticking away like a time bomb somewhere in the archives of Metro-Goldwyn-Mayer in America.

In 1983 a stranger wrote to me from the United States telling me that a story of mine called The Tenth Man was being offered for sale by MGM to an American publisher. I didn’t take the matter seriously. I thought that I remembered-incorrectly, as it proved-an outline which I had written toward the end of the war under a contract with my friend Ben Goetz, the representative of MGM in London. Perhaps the outline had covered two pages of typescript-there seemed, therefore, no danger of publication, especially as the story had never been filmed.

The reason I had signed the contract was that I feared when the war came to an end and I left government service that my family would be in danger from the precarious nature of my finances. I had not before the war been able to support them from writing novels alone. I had indeed been in debt to my publishers until 1938, when Brighton Rock sold eight thousand copies and squared our accounts temporarily. The Power and the Glory, appearing more or less at the same time as the invasion of the West in an edition of about three thousand five hundred copies, hardly improved the situation. I had no confidence in my future as a novelist and I welcomed in 1944 what proved to be an almost slave contract with MGM which at least assured us all enough to live on for a couple of years in return for the idea of The Tenth Man.

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