A Yank at Valhalla

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Edmond Hamilton (1904–1977) was one of the early grandmasters of epic science-fantasy adventure. Whether it was galaxy-spanning space operas, with the seeming impossibility of crashing suns for weapons, or world of magic and mystery where the ancient Aztec Gods possessed seemingly supernatural powers, Hamilton, like Dean Koontz, was always able to supply a plausible scientific premise for his tales — which is, perhaps, not surprising considering he received his degree in physics. A poetic stylist and superb storyteller, in the vigorous, colorful Chretien de Troyes tradition, whose tales never let down or became boring for a moment once they begin, the consistent quality of Hamilton's work earned him a place in the top ranks of science fantasy writers for more than four decades, beginning in the mid-1920s. Most of his novels, and many of his shorter works, were recognized as classics on publication. At the top of any list of his novels are The Star Kings, The Valley of Creation, The Star of Life, Battle for the Stars, A Yank at Valhalla, The Sun Smasher, The City at World's End, and The Haunted Stars. Memorable shorter works include: What's It Like Out There? The Man who Evolved, Exile, Devolution, The Birthplace of Creation, The Cosmic Pantograph, He that Hath Wings, Requiem, and Sunfire.

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