Riot Most Uncouth

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A poet must have a keen eye for details and for feelings; for subtext and for innuendo. This same set of skills is also essential if one hopes to have any success at the pursuit and capture of murderers. The 1807 publication of Hours of Idleness, my first collection of verses, cemented my reputation as the greatest poet ever to have lived. It therefore stood to reason that I also was the world’s greatest criminal investigator.

That autumn, I was bored with my studies at Trinity College and feeling quite restless. So I was intrigued and a little annoyed when my butler, Joe Murray, informed me as I enjoyed an otherwise-pleasant champagne breakfast that a young woman named Miss Felicity Whippleby had been butchered in her Cambridge rooms. She was said to have been a quiet and well-mannered girl, and nobody could fathom what she might have done to bring such a fate upon herself.

Murder was a rare thing in Cambridge, and mystery was unheard of. I had no doubt Felicity Whippleby’s name would soon be upon the lips of every local gossip and rumormonger, people whose time would have been better spent talking about me. I resolved to put my first-rate intellect to work capturing her killer. Such a diversion would burnish my notoriety and provide a good excuse to avoid attending classes. Anyway, Cambridge was large enough to support the misdeeds of only one villain. I would not be upstaged on my own territory by a knife-wielding interloper.

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