Night of Knives

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The world of Malaz was born in 1982, and from that moment onward that world’s history slowly took shape. On summer archaeological digs and winters spent in Victoria, B.C., in the midst of degrees in Creative Writing, in Winnipeg and on Saltspring Island — wherever Ian (Cam) Esslemont and I crossed paths for any length of time. We were co-writers on a number of feature film scripts, and it was clear that our individual creativities were complementary, and during our breaks from writing we gamed in the world of Malaz.

When the notion of writing fiction set in that world was first approached, it seemed obvious that we would divvy up the vast history we had fashioned over the years. And so we did. Since the publication of Gardens of the Moon, I have heard from and read of fans wanting to know about the old empire, the empire of the Emperor, Kellanved, and his cohort, Dancer. And time and again I was asked: will you ever write of those early times in the empire’s history? Or, will you write about The Crimson Guard? And I have always been firm in my reply: no. The reason should now be obvious.

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