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The Magic Kingdom

Стэнли Элкин

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Eddy Bale took his idea to the Empire Children’s Fund, to Children’s Relief, to the Youth Emergency Committee. He went to CARE and Oxfam and the Sunshine Foundation and, because he was famous by then, a famous griever, managed entrées to the boardrooms of Rothschild’s and British Petroleum, ICI and Anglo-Dutch, Marks & Spencer and Barclay’s, to Trusthouse Forte, to Guinness, to British Rail. He wrote to hospices; he wrote physicians on Harley Street and called at surgeries and hospitals. He spoke to high-ups in the National Health and dashed off letters to the national newspapers. He had an interview with Lord Lew Grade and worked up a proposal for Granada and the BBC. Because the idea was dramatic he approached the Directors of the National Theatre and the Royal Shakespeare Company. He had a sign made which could be put in taxis and minicabs.

What convinced him his idea made sense, he said, was the fact that none of these children was under the care of a pediatrician. Not one. (Charles Mudd-Gaddis, eight, was being seen by a gerontologist.) They’d been handed over to the specialists. Specialists diagnosed them and other specialists treated them, if you could call their courses of experimental drugs and dollops of nuclear medicine and being zapped by lasers treatment. They were tortured not into health, he said, but into, at best, brief periods of remission. They died in pain, language torn from their throats or, what little language they had left, turned into an almost gangster argot, uncivilized, barbaric as the skirls and screaks of bayed prey.

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Жанр
Современная русская и зарубежная проза
Издание
Open Road Integrated Media LLC, 2010
Язык
en
Размер FB2
2,2 МБ
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