George Mills

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Because he knew nothing about horses. Not even — though he made wagers — how to what would not then have been called handicap them. Betting the knight, his money on the armor, the intricate chain mail like wire net or metal scrim, being’s effulgent Maginot line, his stake on the weighted mace and plate mittens, on the hinged couters and poleyns, on vambrace and cuisse and greave, banging the breastplate and all the jewelry of battle for timbre and pitch like a jerk slamming doors and kicking tires in a used car lot. Not even betting the knight finally so much as his glazed essence, his taut aura. (And in winter something stirring and extra in the smoke pouring through the fellow’s ventails, as if breath were a sign of rage or what would not then have been called steam a signal of spirit.) But nothing about horses. Under their fortressed heads and jousting pads, their lumpish disfiguring raiment, perhaps not even what they looked like, in his head a distorted image of frailty, an extrapolation from their pointy hocks and slender shanks and still more slender pasterns of something more scaffold than beast.

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