
Napoleon’s Pyramids
Серия: Ethan Gage, книга 1
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It was luck at cards that started the trouble, and enlistment in mad invasion that seemed the way out of it. I won a trinket and almost lost my life, so take lesson. Gambling is a vice.
It’s also seductive, social, and as natural, I would argue, as breathing. Isn’t birth itself a roll of the dice, fortune casting one babe as peasant and another as king? In the wake of the French Revolution the stakes have simply been raised, with ambitious lawyers ruling as temporary dictators and poor King Louis losing his head. During the Reign of Terror the spectre of the guillotine made existence itself a matter of chance. Then, with the death of Robespierre came an insanity of relief, giddy couples dancing on the tombs of St-Sulpice Cemetrey to a new German step called the waltz. Now, four years later, the nation has settled into war, corruption, and the pursuit of pleasure. Drabness has given way to brilliant uniform, modesty to decolletage, and looted mansions are being reoccupied as intellectual salons and chambers of seduction. If nobility is still an offence, revolutionary wealth is creating a new aristocracy. There’s a clique of self-proclaimed ‘wonderful women’ who parade Paris to boast of their ‘insolent luxury amid public wretchedness’. There are balls that mock the guillotine, where ladies wear red ribbons at their throat. The city counts four thousand gambling houses, some so plain that patrons carry in their own folding stools, and others so opulent that hors d’oeuvre are served on sacramental plate and the privy is indoors. My American correspondents find both practices equally scandalous. The dice and cards fly: creps, trente-et-un, pharaon, biribi.
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