Cabal

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‘… quia peccavi nimis cogitatione, verbo, opere et omissione: mea culpa, mea culpa, mea maxima culpa.’

Amplified both by the loudspeaker system and the sonorous acoustics of the great basilica, the celebrant’s voice reverberated with suprahuman authority, seemingly unrelated to the diminutive figure beating his breast like a hammy tenor in some provincial opera house. The fifty or so worshippers who had turned out on this bleak late-November evening were all elderly, and predominantly female. The apse and the chapel of the cattedra, itself a space larger than many churches, had been cordoned off for the service by uniformed attendants, but in other regions of St Peter’s basilica tourists and pilgrims continued to promenade, singly or in groups, dazed by the sheer scale of the sacred and secular claims being made on every side, numbly savouring the bitter taste of their individual insignificance.

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