The Manticore

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"When did you decide you should come to Zurich, Mr. Staunton?"

"When I heard myself shouting in the theatre."

"You decided at that moment?"

"I think so. Of course I put myself through the usual examination afterward to be quite sure. But I could say that the decision was made as soon as I heard my own voice shouting."

"The usual examination? Could you tell me a little more about that, please."

"Certainly. I mean the sort of examination one always makes to determine the nature of anyone's conduct, his degree of responsibility, and all that. It was perfectly clear. I was no longer in command of my actions. Something had to be done, and I must do it before others had to do it on my behalf."

"Please tell me again about this incident when you shouted. With a little more detail, please."

"It was the day before yesterday, that is to say November ninth, at about ten forty five p.m. in the Royal Alexandra Theatre in Toronto, which is my home. I was sitting in a bad seat in the top gallery. That in itself was unusual. The performance was something rather grandiosely called The Soiree of Illusions – a magic show, given by a conjuror called Magnus Eisengrim. He is well known, I understand, to people who like that kind of thing. He had an act which he called The Brazen Head of Friar Bacon. A large head that looked like brass, but was made of some almost transparent material, seemed to float in the middle of the stage; you couldn't see how it was done – wires of some sort, I suppose. The Head gave what purported to be advice to people in the audience. That was what infuriated me. It was imprudent, silly stuff hinting at scandal – adulteries, little bits of gossip, silly, spicy rubbish – and I felt irritation growing in me that people should be concerned about such trash.

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